A blog series in which I reread LOTR 50 years after I first read it, age 10, over the winter of 1975-76. Pippin and Merry come as a double act (not exactly ‘dumb and dumber’, but not a million miles from that either) in the Jackson film version of LOTR, providing both light relief and…

This week (and probably next) I want to talk a bit more Tolkien, but in a somewhat different vein from normal. Rather than discussing the historicity of Tolkien's world or adaptations of it, I want to take a moment to discuss some of the themes of Tolkien's work, which express themselves in the metaphysical architecture…

The Fourth Age under the dominion of men isn’t going too well, is it? Did the free peoples of Middle-earth really combine to overthrow Sauron so that the world would be delivered on a plate to the likes of Donald Trump and Elon Musk? I think not. But how might things have worked out differently? One alternative not discussed at the Council of Elrond is that Galadriel might take the ring. While Elrond does say, ‘If any of the Wise should with this Ring overthrow the Lord of Mordor using his own arts, he would set himself on Sauron’s throne, and yet another Dark Lord would appear’,[1] Galadriel is not a ‘he’. Moreover, she is not even from the same type of story as Gandalf, Aragorn and Faramir, male characters who demonstrate their goodness by refusing to take the ring when they have the opportunity. For Galadriel is clearly a figuration of the Fairy Queen in the same way that Lórien, the enchanted realm she rules in which time passes in a different manner to outside its borders, is a figuration of fairy land or Faery, as it is sometimes known.[2]